Man in the Mirror

Michael Jackson's life was Michael Jackson's life but whatever one thought about as his eccentricities the man could sing and dance his butt off. Rest in peace.

American Idol Finale

Not for nothing but the American Idol judges spend the season gassing on about how they want things to fresh and CONTEMPORARY and then, inevitably, they turn the season finale into a march of classic rock golden oldies.

Rod Stewart…Carlos Santana…KISS…Lionel Richie…Cyndi Lauper…Queen Latifah…Steve Martin…Queen…seriously? Look I love most of these folks…but then I’m not in the demographic group the American Idol producers are supposedly going for. I just don’t get it (yeah I know Jason Mraz and Fergie and the Black Eyed Peas and Keith Urban were there too but still…)

ANYWAY, the finale was, as usual, entertaining in spots and incredibly cheesy in a lot of others (they really need to dispense with those stupid “awards”…those folks weren’t funny the first time and bringing them back doesn’t make them any more interesting.)

This season was kind of a hot mess…too many judges (thank you, Kara, but you really didn’t bring anything interesting to the table….we’re already full of pointless, misinformed inanity from our Mr. Jackson…so here are some nice parting gifts), too much distracting nonsense from the judges (folks it’s really supposed to be about the contestants), too many ill-conceived attempts to spice up the show (gee I really hope they bring that “exciting” judges’ save thing back next year…), and, again, a truly lame song that the winner is forced to release as his first single (thanks again, Kara…)

But in the end you had a handful of good performers (take a bow, Adam, Allison, Kris…) and two finalists who deserved to make the cut.

And, perhaps best of all, a winner than flew in the face of all of the blatant pimping that the judges…who seemed to have picked an Adam-Danny finale so many weeks ago that the other contestants must have felt like cannon fodder.

I have been enormously impressed with Adam all season…he may be the most daring artist Idol has ever had (well him and Chris Daughtry)…but Kris was, in a less flashy way, just as artistic and he quietly flew under the judges’ myopic radar and his victory wasn’t really the “incredible upset” that some might label it.

I am interested to hear the record Kris will make (the woeful “No Boundaries” excepted) and I’m also very interested to hear what Adam and Allison will do. Everybody will be fine (and Adam may be better off not having to toe the Idol producers' tone-deaf line...ooo, that was an ugly mixed metaphor, wasn't it? Ah well...:-)

Not the best AI season ever but, in the end, it wasn’t particularly egregious either.

Okay that’s done…bring on So You Think You Can Dance!

Community

Joel McHale is a hoot on The Soup and now he has a sitcom being picked up by NBC for the fall. From the preview below it has potential to be pretty cool.

ABC's Canceled Series Finales

Ah ABC I guess I should thank you for throwing a poor deprived television viewer a bone. The alphabet network has announced when they're going to burn off the remaining unaired episodes of three interesting shows cut down before they had a chance to really hit their stride.

They're going to use that choice viewing hour...Saturdays at 10 P.M....to present the swan songs during the summer.

The utterly charming Pushing Daisies (see above) is first up airing its final three episodes starting on May 30th.

The quirky Eli Stone, which was shaping up to be something quite engaging after a tentative start, will occupy the hour starting on June 20th.

The soapy fun and intrigue of Dirty Sexy Money will pick up the baton starting on July 18th.

At least they didn't make us wait until the DVD sets came out to see these final episodes...

Monsters Vs. Aliens

Plot? Well, the title pretty much sums it up (I guess you could read some tolerance stuff in the subtext...but this isn't really a "subtext" kinda movie.) But that doesn't matter...Monsters Vs. Aliens is fast paced and beautifully rendered with enough slapstick and high-jinks to keep the kids happy and just enough jokes that will sail over the heads of the youngsters to keep the adults engaged (and stuff blows up...who doesn't like that? :-)

Keifer Sutherland is a hoot (and all but unrecognizable) voicing the the hard-bitten General W.R. Monger who has been keep the existence of monsters away from the public for 50 years, Stephen Colbert has a daffy turn as the clueless President, and Reese Witherspoon is at turns winsome, befuddled, and determined as Susan who is turned into a 50-foot woman ("Gigantica") after being exposed to a meteorite on her wedding day.

Hugh Laurie is grand as Dr. Cockroach, a mad scientist who turned himself into...well...a giant cockroach, Will Arnett is fine as the stalwart and prideful Missing Link, and Seth Rogen steals the show as the affable but brainless gelantious blob named Bob.

The movie wears its influences on its proverbial sleeve unabashedly...I saw winks to Star Wars, Men in Black, Independence Day, The Day the Earth Stood Still...and, of course, The Fly, Attack of the 50-Foot Woman, The Creature from the Black Lagoon, and The Blob... among others...but it does so with such charm, verve, cheekiness, and good nature that you just go with it.

In the vein of full disclosure I eschewed the 3-D version in favor of a regular 2-D showing...eyes as old as mine weren't meant to try to cope with 3-D for an hour and half...but I could see many of the shots that probably really popped in three dimensions.

Is this a great movie? Nah. But it's a heckuva lot of fun and what more do you want from a cartoon?

Bare Bones

I had to live with the new Madeleine Peyroux CD for a while…listen it to more than few times…before its charms revealed themselves to me more fully. Bare Bones is not as immediately accessible as her previous two collections (Half the Perfect World and Careless Love) but its highpoints are on par with the best tunes from those two delightful albums.

Unlike her past couple of albums, which featured a mixture of original tunes and cannily chosen cover songs, this one consists completely of original tunes (all of which were written or co-written by Peyroux.)

The first few tunes…the wistfully optimistic “Instead”, the quietly lilting title track, and the rueful “Damn the Circumstances”…have the same downcast, plaintive feel and that threatens to weigh down the proceedings with a brooding sameness. But, in all the cases, the strength of the lyrics (musical hooks are hard to come by) makes the songs work. The same is true for “River of Tears”.

The sprightly…and devilishly witty…”You Can’t Do Me” is a welcome change of pace when it turns up.

The second half of the CD glides sweetly between somber numbers…”Love and Treachery” and “Homeless Happiness”…and more upbeat tunes…”To Love You All Over Again”…with Peyroux’s charming and evocative vocals (yes, she has distinct reflections of Billie Holiday in her voice…that’s going to come up every time she puts out a record…but hey in her case it’s definitely a good thing.)

I had to live with it…play it while snuggled next to a friend…dance idly to it…find echoes of my own experience in the world…but Bare Bones proved worth the investment of time and attention. It’s not perfect…several of the songs would have been better served with shorter running times and tighter hooks…but it is, to quote the marvelous closing song, “Somethin’ Grand” just the same.

Heroes

Just as I found myself about ready to drift away from Heroes they go and start acting like they want to get interesting again. Ain’t that always the way? :-)

This week’s offering was relatively taut…leaving some over-exposed characters on the sidelines (yes I’m looking at you Nathan and Claire…you too Sylar) and seemingly streamlining the cast (life expectancy for super-powered blondes seems very limited on this show…unless you’re a former cheerleader) and even bringing back an old friend (howdy “Rebel”, figured it was you.)

This “Fugitives” arc is indeed getting interesting (the creepy and cranky one-note government guy notwithstanding)…though I am well aware that this show sometimes fails to pay off on its promises so I won’t call it a comeback (sorry, LL, I had to do it) just yet. But they’ve bought at least a few more weeks of my attention.

Lex Luthor Bailout

Even Super-Villains need bailouts...

"Lex Luthor Bailout" with Jon Hamm from Jon Hamm

Coming Back to You

American Idol has reached the round of 36…a four-week elimination derby, the contestants separated in groups of 12 for three weeks with the fourth week being a wildcard round, with 3 finalists graduating into the final 12 each week. The first dozen didn’t exactly acquit themselves with honor (the next American Idol might be in that group…but at first blush it doesn’t seem likely) and we’re not going to dwell on it.

Instead we’re going to dwell on one of the better CDs to come from a former AI contestant, the long-awaited (by me anyway) collection by the enormously talented Melinda Doolittle (the third place finisher two editions ago.)

Coming Back to You isn’t perfect…the first few tracks have arrangements that seem to be trying to overwhelm Doolittle’s voice (though ends up she holds her own with aplomb)…but it’s pretty damn fine once it gets going…if for no other reason as to show that the “retro soul” thing isn’t solely the province of young British singers these days :-)

The opening “Fundamental Things” is a bit fussy but things pick up a bit with “It’s Your Love”, a rather generic love song given more life than it probably deserves by Melinda’s impassioned voice (the same is true for “Declaration of Love” and the mid-tempo title track which , again, is too fussy with needless horns…Doolittle is a real singer and the producer should have trusted that more rather than piling on unnecessary embellishment like she was some marginally talented pop tart who needed some cover for her lack of vocal chops.)

But things do get interesting. First on a sublime vocal on “The Best of Everything”, the first of 3 Sammy Kahn songs on the album, where Melinda’s soulful voice dominates the arrangement to grand effect. Another Kahn song, “I’ll Never Stop Loving You” is the albums big ballad swimming in strings and muted horns that ably support…rather than try to overwhelm…Doolittle’s luminous vocals.

“Wonderful” is another relatively generic song but, again, the vocal elevates it to a cool, engaging level as it does on the inspirational “I Will Be” and the soaring gospel of “We Will Find a Way”.

And then the righteous Ms. Doolittle tears into a thick slice of blues with her potent reading of Robert Johnson’s feisty and bawdy “Dust My Broom” and makes she makes you want to testify as does so. And later she lets us know that this wasn’t a fluke by dipping into Johnson’s venerated songbook for a funky take on “Walkin’ Blues”.

There is such passion in “If I’m Not in Love” that it sizzles through the speakers…and Melinda conveys that passion without the need to over-sing…as on the rest of the disc, she gives herself over to the song and lets her amazing voice do its thing with style and with a refreshing lack of melodrama (which makes the big note at the end of this track all the more thrilling.)

And at the end it’s just Melinda (sweet and nuanced) and a keyboard (still a bit too high in the mix but only a bit distracting) on the 3^rd Sammy Kahn tune, the lovely “Wonder Why”…a charming and effective wrap up.

Coming Back to You is one of the better efforts from an American Idol alum…and it’s an engaging collection in its own right…it’s all good :-)

Random Notes: The 2009 Grammy Awards

Okay, the awards don’t really matter much…who remembers them two days later?...with the Grammys the show’s the thing. I only watch two awards shows a year…the Grammys and the Oscars…and so I’m always hopeful they’ll be worth the 3+ hour investment of time they usually require of me.

Thumbs up: U2 (you usually can’t go wrong with Bono and the boys kicking off your show), Al Green and Justin Timberlake (a last minute sub for Chris Brown who was having legal problems to do with domestic assault) with Boyz 2 Men and Keith Urban, Jennifer Hudson (the performance was stirring), Stevie Wonder and the Jonas Brothers (the kids were a bit hyperactive…but hey they’re kids…and the combination was a bit weird but, strangely enough, it worked), Radiohead and the USC Marching Band (very cool), Robert Plant and Alison Krauss (the big winners in a year when the Grammy show was jam packed with hip hop), Kanye West and Estelle, Sugarland and Adele (the Best New Artist winner), Timberlake and T.I. (my favorite hip hop performance of the night), Paul McCartney with Dave Grohl (a wonderful time was had by all…though of all of the Beatles songs he could have picked, it was a bit strange that Sir Paul decided to use the one that starts with the line “…well she was just 17 if you know what I mean…” :-), Carrie Underwood, Kid Rock, and Kenny Chesney (who knew he was pals with Morgan Freeman?)

The tribute to the Four Tops…with Smokey Robinson, Jamie Foxx, Ne-Yo, and the last surviving Top Duke Fakir…was very sweet (though Foxx seemed to flummox the director by going one way while the other three guys went the other way.)

The tribute to New Orleans was fine but it could have been better if Lil’ Wayne could have shut up (after finishing his part with Robin Thicke) while Allen Toussaint and Terence Blanchard were playing.

The Bo Diddley tribute…with B.B. King, John Mayer, Buddy Guy, and Keith Urban…was also fine (though you might have hoped that a tribute to Bo would have been a bit more animated…)

There was something oddly cool about both Green Day and Blink-182 coming out to present awards.

Special props to M.I.A. for enthusiastically singing the hooks for the “Rap Pack”…Kanye West, Jay-Z, T.I., and Lil’ Wayne…even while it looked like her water could break at any moment. The song itself…”Swagga Like Us”…was lively enough but, as these rap collaborations too often tend to go, it ended up with the four rappers seemingly trying to out-shout each other.

The appeal of Coldplay continues to elude me (please spare me your barbs, Coldplay fans…which are, of course, legion…your mileage may vary…so just let it go), Taylor Swift and Miley Cyrus have had better nights (ibid.), Whitney Houston seemed a bit…spaced out (but hopefully she is still on an upward trajectory), and Neil Diamond was…well…Neil Diamond (and I guess somebody has to be so there’s that…and hey Jay-Z really liked it…)

And I’m completely over “I Kissed a Girl” and Katy Perry should be too if she doesn’t want to end up a one-hit wonder/novelty act.

All in all, not a bad show…too long, of course (they cut off Stevie Wonder’s closing song) but most of the winners kept their acceptance remarks short (well until the end when Robert Plant seemed like he was going to go on for a while) and things kept moving a fairly good clip most of the night. Like I said, it was not a bad show.

Working on a Dream

As anyone who has read this blog for a length of time knows, I am totally in the bag for Bruce Springsteen. I’ve been down with “the Boss” since ’77 when Darkness on the Edge of Town came out (the “future of rock and roll” hype for Born to Run a couple of years earlier put my iconoclastic hackles up and I resisted its charms at first…ah, the foolishness of youth…)

This is not to say that all Springsteen records are created equally. There are some…Darkness, The River, Nebraska, Tunnel of Love, Live /1975-85, The Rising, We Shall Overcome…that I return to over and over finding enormous satisfaction each time; while there are others…Human Touch, The Ghost of Tom Joad, Devils and Dust…that do not draw me nearly as often (though they have their own rewards just the same.)

At first blush it seems that Working on a Dream will most like fall into the first group.

It starts with the epic tale of “Outlaw Pete” (an 8 minute story song about a cowboy maverick) and ends with the Golden Globe winning theme from “The Wrestler” (a spare, rueful elegy that somehow managed not to get an Oscar nomination) and in-between there’s vibrant, optimistic vibe that was largely missing from the last couple of CDs Springsteen and the E Street Band did together.

Songs of love and passion and redemption are the currency of this engaging record. Some of the songs…the nakedly romantic “What Love Can Do”, the optimistic “This Life”, “Tomorrow Never Knows”, and the infectious title track…have a sprightly bounce that will sound great booming through car stereos on bright blue summer days.

Even the bluesy rock and roll snarl of “Good Eye” hugs you like an old friend and holds on tight.

“Kingdom of Days” is a delightfully soaring number…I watch the sun as it rises and sets/I watch the moon trace its arc with no regrets…that makes as good a theme statement for the CD as any other song on it.

The playing is, of course, tight…even if Clarence Clemons’ iconic saxophone only makes a few fleeting appearances…the songs are charming and heartfelt, and Bruce is in fine voice throughout.

Yeah, I am in the bag for Bruce…and it’s records like Working on a Dream that makes me very happy to be there.

2009 Academy Award Nominations

The Dark Knight didn’t make the cut in the “big” Academy Award categories…save for the totally expected (and deserved) Best Supporting Actor nod for the late Heath Ledger…and neither did Clint Eastwood (I haven’t seen Gran Torino but a lot of critical buzz seemed to have it anointed to pick up Best Picture, Actor, and Director nominations) but Brad Pitt and The Curious Case of Benjamin Button scored big with 13 nominations.

Joining Benjamin Button in the Best Picture sweepstakes are Frost/Nixon (featuring Best Actor nominee Frank Langella), Milk (with Best Actor nominee Sean Penn), The Reader (starring Best Actress contender Kate Winslett), and the little-engine-that-could Slumdog Millionaire. The directors for these five films…David Fincher, Ron Howard, Gus Van Sant, Stephen Daldry, and Danny Boyle…are vying for Best Director honors.

Star power should be in abundance at the Oscar ceremony as the four acting categories features the likes of Meryl Streep (her 15^th nomination for her role in Doubt), Angelina Jolie (Changeling), Robert Downey, Jr. (Tropic Thunder), Philip Seymour Hoffman (Doubt), Penelope Cruz (Vicky Cristina Barcelona), and this movie season’s comeback kid Mickey Rourke (The Wrestler) and his co-star Oscar winner Marisa Tomei.

Bruce Springsteen won the Best Song category at the Golden Globes with his song from The Wrestler but he failed to pick up an Academy Award nomination in a Best Original Song category that, for some reason, features only three candidates: “Down to Earth” from Wall-E and two songs from Slumdog.

Pixar’s charming Wall-E seems to be the one to beat in the Best Animated Feature category that also features Bolt and Kung Fu Panda.

As none of the Best Picture nominees are real blockbusters I would guess that the ratings for the Academy Awards broadcast (on Sunday February 22^nd) won’t be significantly reversing the downward trend they’ve been on of late…but hey I’ll be watching :-)

American Idol 2009

(Cue Seacrest) : “This…is American Idol!”

And so it begins again. The first episode of Idol ’09 was a bit less exploitive than the freak show weeks usually are. Yes, there were still a parade of untalented…or, occasionally, marginally talented…folks who seem to only want a few moments on television (no matter how foolish they look.)…but the judges seemed less snarky than they have been in previous seasons.

The new judge…songwriter Kara DioGuardi…seemed to fit right in…especially during the staged dustup with the marginally talented, enormously self-satisfied woman who auditioned in a bikini (is she really what passes for “sexy” these days? Man, I’m way out of touch… :-)

Randy Jackson had less aging hipster banter (though I fully expect that it will return in full force as the season progresses), Simon Cowell only seemed to be dishing out half-hearted jibes (ibid.), and Paula Abdul was, for the most part, lucid and sane (kudos to her…though I’m not expecting that to last either.)

Idol has made some cosmetic changes…the fourth judge, lopping off one of the freak show weeks, expanding the Hollywood portion (which will actually be in Hollywood…rather than Pasadena…this year), bringing back the wild card round (without which Clay Aiken wouldn’t have been a contender back in the second season)…but it promises to still be the Idol that we’ve, for better or for worse, come to know.

Me, I’m probably going to skip most of the rest of the freak show/audition rounds (tonight and for the next two Wednesdays PBS is showing an intriguing 6-hour documentary on comedy...Make 'em Laugh: The Funny Business of America... that sounds MUCH more interesting than watching deluded wannabe stars butchering Stevie Wonder and Mariah Carey songs) and check back in when they get to Hollywood.

10 for '08...

…being a semi-random (well it is in alphabetical order…more or less… so it’s not as random as it might otherwise be) list of 10 pop culture people and things that warmed the cockles of Neverending Rainbow’s jaded heart in 2008.

CSI: CRIME SCENE INVESTIGATION

The original…and still the best…CSI was firing on all cylinders from the tragic death of Warrick that opened the season to the inexorable feeling of loss as Gil Grissom prepared to take his leave.

GEOFF JOHNS

This super-hero comic book fan’s hero was a writer…a writer who brought amazing, utterly engaging life to some of my favorite four-color adolescent power fantasies :-)

JON STEWART & STEPHEN COLBERT

The Daily Show and The Colbert Report were consistently entertaining and insightful companions throughout the seemingly endless political campaigns that informed life here in the States

NEW MUSIC FROM SOME OF MY FAVORITE FOLKS

Any year that features great new music from music making folks I unabashedly adore…Cassandra Wilson (the sublime Loverly), Emmylou Harris (the beautifully-realized All I Intended to Be), Tracy Chapman (the charming Our Bright Future...see below), and Willie Nelson & Wynton Marsalis (the accomplished and delightful Two Men with the Blues)…is more than all right in my book.

PUSHING DAISIES

I’m not really surprised that this quirky and whimsical show didn’t find a large enough audience to survive…it was, probably, one of those shows that either you liked or you didn’t with very few people in-between…but I am happy that it got a chance to exist at all.

SUPER-HERO MOVIES

A good year for the fanboys with the grim but amazing Dark Knight and the slam-bam wizardry of Iron Man heating up the box office in such a big way. Kudos as well to flawed by still sometimes very interesting offerings such as Hancock, Wanted, and Incredible Hulk (and we shall let things like Punisher War Journal and The Spirit slip into obscurity without comment.)

THE SOUP

The Soup is perhaps the one good reason for the E Network to exist. Joel McHale and his merry pranksters take a biting and often hilarious blowtorch to all of the silliness of pop culture in a fast-paced weekly half-hour.

THE WIRE

Yeah, I’m late to the party but thanks to the good folks at Netflix I’ve gotten completely caught up in the gritty streets of Baltimore as explored on this amazing show (a crime drama worthy of being brought into the conversation alongside classics like Homicide, Hill Street Blues, and The Sopranos.) Santa didn’t hook me up with the complete series box set (admittedly I was THAT good this year :-) but I’ll keep pestering him.

TINA FEY

Tina Fey’s dead-on impersonation of Vice-Presidential candidate Sarah Palin was a godsend to Saturday Night Live…and to all of the rest of us as well. Combine that with the fact that her sitcom 30 Rock has become a consistently funny shows on network TV and we just have to take off our hats to the remarkable Ms. Fey.

YOUNG SOUL SINGERS FROM THE UK

Amy Winehouse spent most of the year in tabloid hell but the baton of great soul music…retro but not in a navel-gazing, nostalgia-worshipping way…from enormously talented young women from the United Kingdom was ably picked up by Duffy (with the stunning Rockferry) and Adele (the powerful and passionate 19) and it was a good thing indeed.

* * * * *

Here's hoping your 2009 is filled with an abundance of love, light, and laughter.

This is Tracy Chapman's simply charming "Sing for You":

Sixpence None The Richer - Silent Night

A lovely version of "Silent Night" by Sixpence None the Richer.

A New Thought for Christmas

Melissa Etheridge’s “new thought” for Christmas isn’t really new…giving peace a chance and celebrating the soul of the season and the power of love are a classic ideals we should all adhere to all year long…but when it’s presented in such a potent, heartfelt, soulful collection of songs that doesn’t matter one little bit.

A New Thought for Christmas is a consistently engaging collection of holiday songs new and old. There’s no Santa Claus here but there is an abundance of hope and joy and pleas for peace.

It kicks off with a grand, bluesy version of “Blue Christmas” and that inviting vibe inhabits rocking takes on “Christmas (Baby Please Come Home)” and the sly and sassy reading of the immortal “Merry Christmas, Baby” as well. Etheridge is in fine fettle throughout these rockers as well as on the propulsive “Christmas in America”, an Etheridge-penned plea for a lost lover to come home for the holidays, and during the boogie-woogie strut of “It’s Christmas Time”.

She is also in fine, fine vocal form during the mellower tracks such as the original “Glorious” (a sweet paean to love and family during the holidays that incorporates some of the traditional “Angels We Have Heard on High”) and the hopeful “Light a Light”

There’s a sweet jazzy vibe (including a very tasty guitar solo by Philip Sayce) to her sedate take on “Have Yourself a Merry Little Christmas” that vaults into the upper echelons of the many versions of that charming chestnut.

The peace anthem “Ring the Bells” (see below)…co-written by Salman Ahmad, who also contributes vocals and guitars…has a Middle Eastern vibe that invests it with additional power as it soars up towards the heavens.

By the time the disc ends with the inspirational “O Night Divine” (with incorporates aspects of the traditional “O Holy Night”) you feel immersed in the Christmas spirit without the need of nary a jingle bell nor a flying reindeer…and it’s a lovely thing indeed.

Come Darkness, Come Light: 12 Songs of Christmas

‘Tis the season for many things…including and especially new holiday music…and that can be a lovely thing indeed. Mary Chapin Carpenter’s new Christmas album is a soothing, stripped down, reflective affair featuring three musicians Carpenter herself (with acoustic guitar and her luminous and honeyed vocals), Jon Carroll (on piano), and co-producer John Jennings (on everything else…including bass, acoustic and electric guitars, drums, percussion, accordion, piano, and harmony vocals.)

The 12 songs on the disc…a mixture of original songs, found songs, and traditional songs…are soothing, reverent, and moving. From the opening “Once in Royal David’s City” to the love song “Hot Buttered Rum”…from Carpenter’s lilting title song to the bittersweet “Bells are Ringing” (co-written with Jennings…see below) to the closing with the traditional “Children, Go Where I Send Thee”…there is not a misstep on this fine collection.

Come Darkness, Come Light would be a lovely soundtrack for a cool winter’s evening…perhaps snuggled by a fire while sipping hot cider…it’s a sweetly mellow Christmas collection and a most welcome addition to my ever-burgeoning collection of holiday CDs.

Charlie Brown Christmas - Performed by the Cast of Scrubs

This is a clever mashup.

The 100 Greatest Singers of All Time

Our pals at Rolling Stone are at it again with a list that is sure to provoke much discussion among music fans. This time they've polled a bunch of artists, producers, critics, and other music industry insiders and come up with their list of "The 100 Greatest Singers of All Time".

This list is, of course, skewed towards singers who came to prominence during the rock and roll era (which I guess qualifies as "all-time" now) and it leaves off a lot of really GREAT singers (at first blush I can think of Billie Holiday, Emmylou Harris, Frank Sinatra, Nat "King" Cole, k.d. lang, Ella Fitzgerald, Tony Bennett, Cassandra Wilson, Chrissie Hynde, Seal, and Margo Timmins.)

The Top 10 Singers of All-Time (according to Rolling Stone) are:

1) Aretha Franklin
2) Ray Charles
3) Elvis Presley
4) Sam Cooke
5) John Lennon
6) Marvin Gaye
7) Bob Dylan
8) Otis Redding
9) Stevie Wonder
10) James Brown

Apparently all of the 10 greatest singers of "all time" got their start in the late fifties or the early sixties and only 1 of the 10 best is a woman...imagine that :-)

The rest of the list is here.

Discuss.

Below is the classic "A Change is Gonna Come" written by the wondrous Sam Cooke (#4) and sung by the incomparable Aretha Franklin (#1)

Disney's Monster Mash

A version of "Monster Mash" set to clips of classic Disney monsters and villains. Very cute.