Detroit 1-8-7/Glee/Raising Hope/Running Wilde

Detroit 1-8-7 echoes, in a positive way, the grittiness and quirkiness of the seminal 80's cop show Hill Street Blues. The pilot presented a similar cross section of interesting characters in unique partnerships handling murders on the mean streets of the titular city. Michael Imperioli leads a uniformly engaging cast with the first episode sketching out character tics and partnership vibes (some in sync, others definitely not) and, like Hill Street's first episode, the pilot even ends with a poignant and shocking tragedy that will undoubtedly color the proceedings going forward.

If the various threads of the pilot dovetailed together a bit too glibly...and they did...Detroit 1-8-7 is still a drama that bears watching as it unfolds. It has the potential to become a great cop show.

On the other end of the entertainment spectrum, the season premiere of Glee was full of the same soapy, entertaining mix of music, pathos, absurdity, and angst (both teenage and adult) that made the first season such a breakout treat. The formula still works wonderfully (and next week, the much-hyped Britney Spears episode will put that formula to the test) and if the focus remains on the Glee Club (and on the undeniable force of acerbic nature that is Jane Lynch's Sue Sylvester) they seem primed to have a successful sophomore season.

Fox's two new Tuesday night comedies...Raising Hope (which seems to be trying, a bit too self-consciously, to tap into the Malcolm in the Middle vibe) and Running Wilde (feeling like they're going for the audience who adored the critically acclaimed, but ratings challenged, Arrested Development) got off to rocky starts with just enough laughs to (partially) overcome some awkward setups and make them both perhaps worth at least another look (but only just barely to be honest) to see if they can find surer footing moving on down the line. We shall see.

2010 Emmy Nominations

Glee is the belle of the 2010 Emmy ball with 19 nominations. Acting nods went to lead actor Matthew Morrison (as the dedicated glee club teacher Will Schuester...see above), lead actress Lea Michele (as the talented but sometimes annoying Rachel Berry), supporting actor Chris Colfer (as the stylish and proud gay character Kurt), and supporting actress the inimitable Jane Lynch (as they relentless force of nature that is Coach Sue Sylvester...see also above.)

They also scored in the guest actor categories with nods to the wondrous Kristin Chenoweth (as the hard-living April Rhodes), Neil Patrick Harris (as Will's disillusioned rival Bryan Ryan), and Mike O'Malley (for his evocative appearances as Kurt's conflicted but unflaggingly supportive blue collar dad.)

The show picked up nominations as Best Comedy series (it's more of a comedy-drama but there's no category for that), writing, directing, yadda, yadda, yadda...

Mad Men scooped up 17 nominations, Conan O'Brien was nominated and Jay Leno was not, and Lost was given some love as it went out the door.

Modern Family and Nurse Jackie picked up nods for Best Comedy Series (though Nurse Jackie isn't really a comedy...but I guess they didn't know what to do with it...and voter inertia led to nominations for The Office and 30 Rock, both of which had uneven seasons, over perhaps more deserving nominees...and fellow NBC Thursday night compatriots... sterling sophomore Parks & Recreation and perky newcomer Community.)

None of it really matters...nobody remembers who wins these things...but it gives the Hollywood folks yet another reason to dress up and pat themselves on the back so it's all good I guess.

Glee

This TV season hasn’t been much to speak about for me…American Idol was almost unwatchable (thanks to Crystal Bowersox for doing her best to try to save it)…Heroes died…CSI, 30 Rock, Project Runway, and The Office all limped through uneven, too often tepid seasons.

Thankfully there was Breaking Bad…Mad Men…Parks and Recreation...the first half of Community’s season (they kinda limped to the finish on auto pilot…but they got a lot of goodwill for the amazing Halloween episode and the Troy and Abed shorts at the end of each episode)…Justified…and Glee.

Glee made me happy.

It was sometimes soapy and sometimes silly and sometimes sticky and sentimental…but that was all just fine by me…there were amazing musical numbers…and Madonna songs…and Sue Sylvester…and, most importantly, it made me happy.

Glee couldn’t save the whole season for me…but man, I’m glad it was there…and I’m glad it will be back next season.

Glee

Nowadays there’s not that much on network TV to really get excited about. Some of it is okay and even better than okay…but most of it is just there (or worse shouldn’t be there at all.) But almost every season I find something that just flat out makes me happy…it usually doesn’t last long (the show gets canned or, worse, it jumps the tracks and crashes and burns) but I enjoy it while it lasts.

The first season of Heroes made me happy (not so much since then…)

And during the last two television seasons the quirky charm of Pushing Daisies made me happy.

This season, Glee makes me happy. Some of the subplots veer towards the soapy (a fake pregnancy…a real pregnancy with the boyfriend’s best friend really being the father…closeted effeminate gay boy…etc.) but the show manages to stay out the weeds with its quirky (there’s that word again), subversive pluck.

And the musical numbers are gloriously compelling and unabashedly over the top (from Journey’s ubiquitous “Don’t Stop Believin’” to Kanye West’s infectious “Gold Digger”…the breadth of tunes that they got cleared is amazing and almost all of them are used to good, sometimes surprising, effect.)

It’s a delightful confection…an enormously entertaining cross between Fame and Freaks & Geeks with a sterling cast (extra credit for the guest shot by the wondrous Kristin Chenoweth, late of the aforementioned Pushing Daisies)…that I just adore.

Glee makes me happy.