Ruminations, reviews, and random ramblings on pop culture...music, movies, books, television, comics, etc...by someone who should be too old to care about a lot of this stuff (but isn't.)
Saturday, July 17, 2010
Summertime Jams #8: Our Lips Are Sealed
Monday, June 28, 2010
Summertime Jams #4: She's Wearing That Costume
Thursday, June 24, 2010
Summertime Jams #2: Open Your Eyes, You Can Fly
Monday, June 21, 2010
Summertime Jams #1: Life is a Rock (but the Radio Rolled Me)
Summertime radio...AM radio...was a blast in '70's. The sun was bright and the breezes were balmy (I grew up in Los Angeles and spent a lot of time on Venice and Santa Monica beaches listening to "Boss Radio" 93-KHJ) and the airwaves were full of wonderful (sometimes wonderfully silly) perfect pop songs that just made the summer days complete.
So first up is Reunion with the delightfully silly...and simply delightful..."Life is a Rock (but the Radio Rolled Me)".
Happy summer, people :-)
Saturday, October 31, 2009
Friday, October 16, 2009
Her Morning Elegance
Friday, September 11, 2009
The Rising/Eight Years Gone
Memory dims…time heals…life waxes and wanes…
life moves on like it has to do…
And we are here…eight years gone…
and moving on with life like we have to do…
Yes I remember where I was…
Yes I remember how scared I felt…
Yes I remember how angry I felt…
Yes I remember how helpless I felt…
Yes I remember finding solace in the smile of a baby girl…
Yes I remember.
Eight years gone…so many yesterdays ago…
And we are here…remembering with comforting buffer of time and tide…
Eight years gone…and moving forward and looking back…moving on with life like we have to…
Flags flying…tear stains long dry…I remember…we all remember…
Eight years gone…so many lifetimes gone….so many lifetimes to go.
- MKW/September 2009 -
Friday, September 04, 2009
Worst Song Medley
Sunday, August 23, 2009
The Who - Baba O'Riley
Saturday, August 15, 2009
Woodstock
Here's Joni Mitchell singing "Woodstock", her tribute to the festival.
Monday, August 10, 2009
Robert Downey, Jr. - Smile
Tuesday, July 07, 2009
Michael Jackson
The king is dead (in case you somehow hadn’t heard) and I think he would be pleased by the outpouring of coverage and consumption that has followed in the wake of his passing. Michael Jackson, by his own admission, just wanted to be loved…albeit loved on his own sometimes eccentric terms…and the breathless (and all too often lurid) media coverage, the lionization by fans (both those who stuck by the self-anointed “king of pop” through thick and thin and those who fell by the wayside along the way), and the booming sales of his music would have doubtlessly pleased him to no end.In much of the world…and especially here in
His life was magical, strange, amazing, sad, imaginative, delusional, and, yes, thrilling…his death is something of a circus. But that’s par for the course and, again, I don’t think that he would see this as a bad thing.
The king is dead…and when all is said and done…when the circus has left town and the stranger aspects of his rollercoaster life have receded into the background…we’ll be left with the magic he strove so hard to present…with the astonishing dancing, with the quirky but entertaining videos and little films, with the often wondrous music. And when all is said and done, that’s cool with me.
Monday, July 06, 2009
Hey Ya! Charlie Brown Style
There are some things from my childhood that continue to reverberate sweetly through my aging soul: Dr. Seuss and Charlotte’s Web, Greek mythology and super-hero comics, Motown and the Beatles and the Rolling Stones, and the Charlie Brown specials (especially A Charlie Brown Christmas and It’s the Great Pumpkin, Charlie Brown.)
Because of that, the mash-up video above…almost seamlessly matching images from the specials (most from Christmas) with OutKast’s insanely infectious “Hey Ya”…tickles the hell out of me (but then I am often easily amused.)
(FYI: This is the 400th Neverending Rainbow post. Yay! :-)
Thursday, July 02, 2009
B is for Bob

Many years after his untimely death, Bob Marley is still putting out “new” records (just like Elvis and Tupac and, in the years to come, Michael Jackson.) B is for Bob takes some of Marley’s tunes and remixes and re-imagines them for a younger audience (Bob’s son Ziggy, the executive producer of this set, stated aim was to “give the youngest their very own Bob Marley record”.)
This sort of remix business can be problematic sometimes but not so in this case, B is for Bob is a charmer for children of all ages (my own maturity level can be brought into question but, that said, I enjoyed it immensely.) Ziggy Marley adds additional production to a lot of the tracks here aided and abetted by Takeshi Akimoto (acoustic and electric guitars) and Daniel K. Mandelman (piano and percussion.)
Some of the songs are stripped down to the put the focus squarely on Marley’s soulful vocals (and the equally effective backing vocals by the I-Threes) such as on the delicate, yes still evocative versions of “Three Little Birds” and “Redemption Song” that open the disc.
The Wailers’ irresistible reggae beat and throbbing horns) are not absent from the disc as evidenced by the churning “Wake Up and Live”, the gentle remix of “Satisfy my Soul”, and the loping “Lively Up Yourself” (featuring some nice guitar work.)
“Jamming” is stripped down to its vocals and then built back up with percussion and acoustic guitar which gives it a more intimate feel than the original.
A children’s chorus is added to a couple of tracks: the sprightly piano-driven “Bend Down Low” and the delightfully infectious “Small Axe”.
“Could You Be Loved” is presented in the original (and incredibly potent, incredibly danceable) mix while “Stir it Up” is given almost lullaby feel (albeit a lullaby with a groovy beat) with new guitar and grand piano parts.
The disc finishes off nicely with the soothing “High Tide or Low Tide”.
Is this an essential Bob Marley record? Nah. But just the same it’s sweet without being saccharine and you don’t have to be kid to appreciate and enjoy it (though hopefully some young folks will be introduced to Bob and the Wailers by the grand music here.)
Sunday, March 22, 2009
Wednesday, December 10, 2008
A New Thought for Christmas
Melissa Etheridge’s “new thought” for Christmas isn’t really new…giving peace a chance and celebrating the soul of the season and the power of love are a classic ideals we should all adhere to all year long…but when it’s presented in such a potent, heartfelt, soulful collection of songs that doesn’t matter one little bit.A New Thought for Christmas is a consistently engaging collection of holiday songs new and old. There’s no Santa Claus here but there is an abundance of hope and joy and pleas for peace.
It kicks off with a grand, bluesy version of “Blue Christmas” and that inviting vibe inhabits rocking takes on “Christmas (Baby Please Come Home)” and the sly and sassy reading of the immortal “Merry Christmas, Baby” as well. Etheridge is in fine fettle throughout these rockers as well as on the propulsive “Christmas in
She is also in fine, fine vocal form during the mellower tracks such as the original “Glorious” (a sweet paean to love and family during the holidays that incorporates some of the traditional “Angels We Have Heard on High”) and the hopeful “Light a Light”
There’s a sweet jazzy vibe (including a very tasty guitar solo by Philip Sayce) to her sedate take on “Have Yourself a Merry Little Christmas” that vaults into the upper echelons of the many versions of that charming chestnut.
The peace anthem “Ring the Bells” (see below)…co-written by Salman Ahmad, who also contributes vocals and guitars…has a Middle Eastern vibe that invests it with additional power as it soars up towards the heavens.
By the time the disc ends with the inspirational “O Night Divine” (with incorporates aspects of the traditional “O Holy Night”) you feel immersed in the Christmas spirit without the need of nary a jingle bell nor a flying reindeer…and it’s a lovely thing indeed.
Thursday, December 04, 2008
Come Darkness, Come Light: 12 Songs of Christmas

‘Tis the season for many things…including and especially new holiday music…and that can be a lovely thing indeed. Mary Chapin Carpenter’s new Christmas album is a soothing, stripped down, reflective affair featuring three musicians Carpenter herself (with acoustic guitar and her luminous and honeyed vocals), Jon Carroll (on piano), and co-producer John Jennings (on everything else…including bass, acoustic and electric guitars, drums, percussion, accordion, piano, and harmony vocals.)
The 12 songs on the disc…a mixture of original songs, found songs, and traditional songs…are soothing, reverent, and moving. From the opening “Once in Royal David’s City” to the love song “Hot Buttered Rum”…from Carpenter’s lilting title song to the bittersweet “Bells are Ringing” (co-written with Jennings…see below) to the closing with the traditional “Children, Go Where I Send Thee”…there is not a misstep on this fine collection.
Come Darkness, Come Light would be a lovely soundtrack for a cool winter’s evening…perhaps snuggled by a fire while sipping hot cider…it’s a sweetly mellow Christmas collection and a most welcome addition to my ever-burgeoning collection of holiday CDs.
Wednesday, December 03, 2008
Thursday, October 30, 2008
Disney's Monster Mash
A version of "Monster Mash" set to clips of classic Disney monsters and villains. Very cute.
Tuesday, October 21, 2008
A Change is Gonna Come

Seal (above with his wife Project Runway's Heidi Klum) with his fine version of Sam Cooke's classic "A Change is Gonna Come", a track from his CD Soul, a collection of covers of great R&B tunes.